Tuesday 29 July 2014

Shutterbug

     It's almost a distant memory when it all began - the exalted feeling of having a decent camera in your hands. Perhaps a serious interest developed when an SLR Minolta was purchased prior to the first overseas trip, planned for most of 1968, when my husband at the time would take absence of leave from his company. We were to visit England, where several of his relatives lived, and later we would venture further afield to Paris for a month, staying in the apartment of a work colleague and his wife.
     After returning to England, we caught another ferry to Europe beginning with Belgium, then on to Germany, France, Switzerland, as far east as Vienna, Austria - south over some atrocious roads through parts of Yugoslavia to the Adriatic coast and Split - then north to Venice, over the French Alps and back to England - covering about three thousand miles. All in a lovely car smelling of leather seats, complete with wood paneling.
     The Minolta camera and three interchangeable lens, accompanied us the entire journey and learning to use a light meter was included. We had bought many rolls of film and keeping them cool under a damp towel in the hot car, wasn't easy.
     All the camera equipment was kept in a P & O duffle bag, when years later, no longer married, and living in the West Dorset countryside of England, the bag was stolen with everything in it. I was burgled while visiting Australia and had treasured everything it possessed. I had been fortunate to be left with it, as my ex-husband had moved on, wanting a Nikon camera to replace the Minolta. This was to my great advantage.  
     At the time, the Minolta served us well, together with the lenses. In those days, slides were fashionable and after three thousand miles later, many were processed and viewed.
     It took a long time to get over the loss of the camera and lenses and I never replaced it. I had lost the motivation for taking any good photos. Instead, I bought a very small Canon film camera, purely to take skiing in the European Alps for many years, but it never really advanced my deep love of photography. I still have it! And I still had a love for photography, but life had changed and so had priorities.
     Looking back, after our return to Australia from England and Europe, in November 1968 by the same P & O ship, the Oriana, we became interested in several aspects of black and white photography. Many a night in the weekends we would share studio lights with close friends, set up in our small flat and later in our first home.  Here we inherited an outdoor vet's clinic, complete with bench tops and hot and cold running water. Perfect for a darkroom! A Durst enlarger was purchased and many an hour was spent blowing up black and white photographs, some as big as 20 x 24inches. My husband had his own small joint exhibition and also one of his black and white photographs was exhibited in the National Gallery of Victoria. An honour indeed!
     We had joined a local Camera Club and immediately after the birth of our first child, a girl, I was presented with first prize in the Print of the Year Competition! I was visited in hospital to be presented with my trophy and another young mum who occupied the bed next to me several hours later, was presented with Slide of the Year. She produced a son.
     Many years later, after I had alone returned to Australia for good, I finally entered the digital age and bought a Kodak Easyshare camera, which at the time, was a good start. It was always set on 'Auto', hence I never learned much. I took it back overseas in the opposite direction this time and it served me well enough.
     Then one day it was suggested by a family member, I join a local Camera Club. The feeling and enjoyment of photography had never left me and this was the start of re-learning. Approximately six months later I stepped up a little more to a Canon 600D with only one lens - an 18-200mm, mainly with further overseas trips in mind. Since then, a 50mm lens was purchased with more scope for a better aperture setting in low light. 
     The Camera Club has taught me much - while listening, discussing, attending practical nights, talks and joining various outings, enjoying the usual camaraderie and mentoring - the learning is never ending - all the while being stimulated with what is sometimes referred to as an art form. Apart from the technicalities, it is possible to adapt your own interpretation  and apply it accordingly. I have a long way to go, but the journey is exciting, often stimulating and always fun. 
     From the first day owning this new camera, I decided never to use 'auto' again. It was no way to teach myself, or advance, and no doubt many mistakes would be made along the way, but it had to be a learning curve. Hence the camera settings are always on 'manual' and I use what I feel is right at the time for each photograph taken, rightly or wrongly.
     The Canon 600D was purchased about 6 weeks prior to flying to England in 2011. Each weekend I took it to the city of Melbourne and many areas surrounding the CBD - getting the feel of it, learning how to use the settings, was paramount. I also needed to feel its weight and lenses on my back, constantly withdrawing it to use, while seeking out many areas that were of interest to photograph.
     Since then it was necessary to upgrade to a better camera and two lenses, (with various filters), proving to be a good choice. There is always more on the market to choose from. Making do with what you have is sometimes a challenge, but a necessary one. Having the latest and most expensive equipment is not always conducive to taking good photos.
     What often caught my eye, were the various light conditions. Light is a crucial aspect of good photography, as perhaps many a painter has found. Well captured and use of specific and beautiful light, can have a breathtaking effect on art - seeing the fall of it on a silk or velvet gown, pearls gently depicted worn by elegant ladies, a street scene, rolling countryside, or ships at war as in a Turner painting, will enhance and evoke all that the photographer or artist has set out to express.
     Subject matter is vital and capturing and isolating the subject in question is another aspect of this creative pastime. If you go looking for something interesting, there's every chance you'll find it - whether reflections in the river early morning, the sun casting shadows across mountains, a foggy dew in the park as a lady walks her dog, watching people in the arcades, moody light flickering into a lonely laneway, sailboats on a sparkling sea, or an evening sky marbled with mystery before a thunderstorm. There are many things to photograph - exciting things - and each opportunity that presents itself, whether a lake at the height of autumn, when golden Ginkgo Biloba leaves are sprinkled upon its surface, silvery light reflected through a window at dawn, bees hovering temptingly around flowers, or touring through Medieval France - there is much on offer for he who seeks.
     I'm often learning new lessons, that whatever the visiting monthly judges prefer and reward at the Camera Club, this exciting and creative pastime is engrossing, absorbing the senses. Many excellent and even spectacular images could fall by the wayside, taken by people with a good 'eye' for photography, or those who have had several images entered in National and International prestige competitions - who have many letters after their name, achieving high honours. But the judging is always a personal choice it seems, and never two have the same hard and fast rules.
     It's within the eye of the beholder, as each person has their own individual preferences, likes and dislikes - but maintaining a high standard and expressing what you feel and see around you, to me, is what is important. Constructive self-criticism, striving to do something better, improve, continue learning, feeling the excitement using the camera, hopefully will always be with me. I'm often amazed at what the lens sees, that sometimes the eye does not.
     In the end, perhaps the technique, post manipulation in software, the type of camera and fancy lenses used, will not necessarily produce a strong and captivating image. 
     There have been many times, when its difficult to concentrate on a book, writing, or mundane chores, if being afflicted with the overwhelming desire to grab the camera and lenses and seek that which may catch the eye, stimulate the soul, push the boundaries, seeking something different, a new challenge. It's a fresh and invigorating excitement of not knowing what you will capture until you do. 
     There is also every chance this feeling will never die, if I don't let it.  
    

Tuesday 8 July 2014

Journey's End - Chapter Six

     Katherine's smile was intoxicating as Richard walked slowly toward her, a broad grin on his face, one arm difficult to reach out, weary in mind and body. She was eager to welcome her husband home. It was cold, his clothes damp and dirty, one sleeve badly torn. As his arms slid around her waist he winced slightly. Katherine noticed it immediately.
     'Richard, what's wrong?' Her pretty blue eyes darkened as she stood back to observe her husband. He didn't wish to inflict upon her what was weighing on his mind - not yet anyway. His eyes lowered briefly, while his shoulders gave a slight shrug.
     'Oh, nothing that a good rest, clean clothes and the love of my beautiful wife wouldn't cure.' Katherine was now alerted by the tone of his voice, a look of worry clouding her face. She noticed the dried blood on one sleeve. 'But you're hurt Richard, what has happened, where...?'
     'All in good time my love. First I need rest and a good clean.' Richard suddenly felt the grime and dried sweat from the journey assaulting his nostrils. His wife tried to help him off with his outer garments, after they had entered the privacy of their room. Her husband's first thought was for the child she carried.
     'Easy,' he muttered, as the arm began hurting again with the movement, his mood changing with the effort. His wife called for some hot water, hoping it would relieve some of his tiredness. She felt anxious and wanted to help, realizing Richard had somehow been wounded, then noticed the bandaged arm.
     'Richard! Katherine frowned looking more closely at his arm, not at all squeamish. She thought it looked serious, the area having bled again through the bandage. All Richard longed for now was rest. Everything else would have to wait a little longer.
     'It's nothing too serious to worry about. I'm longing for some decent food, and with you beside me.' He sighed, tiredness etched on his face. When the hot water had half filled a tub, Richard slid under, his wounded arm left dangling outside. He enjoyed the sheer pleasure of it, in no hurry to remove himself and also too exhausted. He'd been in the saddle a long time. But after the water grew cooler, he joined his wife for a late supper. Martha brought them some roasted meat, and a few other delights, which to Richard, tasted so good, relief on his face to be home.     
     Katherine waited to question her husband about the journey, but let him eat first. She felt anxious as to how his wound was inflicted, realizing by now it was a deep one, troubling her still further. 
     Richard ate well, beginning to enjoy a few home comforts once again. He had missed the cook's efforts and longed for a proper sleep. Katherine knew she needed to be patient, helping him to bed that night, his arm being freshly bandaged. The gash was deep and she hoped it would heal if she took care of him, with Martha's help.  
     No sooner had Richard's head touched the pillow, than he fell into a deep sleep. 
     The morning had barely dawned, a crisp chill in the air, the fire burning low, not keeping the room warm. Heavy snow had fallen during the night, turning everything purest white. It lay across fields and low into small valleys, the air having become a lot colder, their room feeling chilled in the early morning. Outside, all was quiet, with very little breeze. Ice had formed on the odd puddle in the courtyard where it had rained several days ago.
     When Katherine awoke, she called for more logs to keep the fire going in the hall. Richard had slept late beside her, so she let him be for now, not wishing to disturb him, rising to see to her duties.
     Not too long after, Richard joined her in the hall to break his fast. He kissed her forehead, before sinking down wearily at the  trestle table beside her.
     'You slept well my lord. How does your arm feel?' Katherine's look was one of concern, for she worried about his wellbeing. Richard sighed gently to himself before swallowing another mouthful.
      'There is much to tell you my love. His face was somber. 'Not all has gone according to how we expected. The wound should heal in time though.' He bit into a fresh loaf, together with a little cheese and continued. 'On the return home, we were unexpectedly set upon by a band of ruffians - ambushed you might say. There are those who have been outlawed - on the run from the King or some authority. They must have been watching us, in the hope of earning a few coins or even a ransom. With the help of young Hugh, we were able to overcome them in a woodland, inflicting our own brand of punishment.'
      'Hugh did you say? He is still quite young. You must have made the decision of taking him with you at the last minute.'
     'I did and he proved his worth. He more or less saved my life. Good with horses too.' Richard explained to Katherine what had happened, leaving the siege and its aftermath for later. It troubled him what the King had had drawn up in the new agreement and he didn't want his wife to learn of it just yet.
     They finished breaking their fast with a simple meal. Richard rose from the table, when there was a flurry of movement by the door. Edmund his groom, accompanied by Hugh, was shown into the hall by Martha. 
     'I need to speak with you my lord, when it is convenient that is...but perhaps it cannot wait.. I...' Edmund gave a slight bow looking anxious, his hat gripped firmly in both hands. He glanced from Katherine, back to Richard, shifting from one foot to the other.
     'What is it Edmund, you look troubled?' Richard could see the matter wouldn't wait. The urgency on the man's face alerted him.
     'Lord, there's been an accident on the road by the gates...a horse...' continued Edmund. Hugh's face had drained of blood. He looked pale.
     'What sort of an accident?' Before Edmund could answer, Richard was moving towards the door. 'I'd better come now,' he added. Richard pulled his cloak over his shoulders, heading for the door. He immediately felt the bitter cold walking across the cobbled courtyard toward the gates, Edmund and Hugh in tow trying to keep pace behind him. Thick snow lay on the ground and more threatened, the air bleak and bitter.
     As Richard passed out of the large gates, he noticed a horse in distress, lying on the snow-covered ground, legs twitching. Under it lay a youth of about twelve years of age. He was moaning, a leg trapped under the heavy horse which was trying to get back onto its feet again, but unable.
     'Help me sir...' the lad managed, obviously in considerable pain and distress. ...'please...?'
     Richard hurried to where the lad was lying, followed by Edmund and Hugh. At that moment, Henry, Richard's steward joined them, his broken arm evident and bound to his chest. Together they approached the distressed animal. The horse may have broken a leg as it appeared unable to get up. Richard indicated to Henry and Edmund for assistance, being careful of his injured arm.  There were three of them to help. Richard was hoping to ease the lad's leg out from under the trapped horse and encourage the struggling beast back onto its feet. He seemed to be lying in a patch of ice.
     Hugh, being good with animals, soothed and coaxed the animal, while the three men managed, gradually at first, to pull the youth free. He was whimpering in obvious pain. Edmund examined the horse's legs as Hugh kept him as calm as possible. The horse gave a groan and heaved itself upright. It stood looking a bit dazed, but obviously nothing broken, much to the relief of everyone. He was a handsome looking animal, a deep bay in colour with a kind eye. Hugh had hold of the bridle, still soothing him.
     'What's your name lad?' Richard was breathing a sigh of relief. After further examination by Edmund, it appeared the animal had been awkwardly lying over the boy's leg, pinning it under his belly, unable to get back up, perhaps slipping on some ice, but he was obviously not badly hurt and nothing appeared broken. 
     'Davydd sir' The lad was moaning, still sitting in a thick patch of new snow fallen during the night. He was slowly rubbing the top part of his leg, still in pain from his ordeal.
     'That's a Welsh name is it not?'
     'Indeed it is sir. I originated from the Welsh Marshes and we moved to a small village near here when my father was killed at Evesham.'
      Henry was helping him up from the snow-covered ground. 'You took quite a tumble. Are you able to stand on that leg,' he enquired.
     'I...I think so sir.' The lad was disheveled and gingerly placed the leg down, then stood facing the men. 'My horse tried to jump that fallen tree over there...' The boy pointed to where the tree had blocked his path. 'He slipped on the snow I think and down we both fell sir.' The lad seemed able to stand on the leg, thankful it was not broken, perhaps only badly bruised. He walked a pace or two then doubled up, pain still evident on his young face. Richard was frowning.
     'What on earth were you doing on that animal all alone, and at such an early hour?' The lad was trying to put weight on the leg, still looking pained. 
     'Well sir, my...my mother died early this morning and I didn't know what to...'
     'Oh!' replied Richard. 'I'm sorry to hear lad. Perhaps you'd better come with me for now and Edmund can see to your horse.' He indicated to Edmund, who stepped forward and took the reins from Hugh, leading the horse toward the stables, with Hugh following close behind. Richard briefly acknowledged Henry's broken arm. 'I'll be with you in a short while Henry. Perhaps you could join me in the hall soon.'
     'Yes lord.' There was obviously a lot of things on Richard's mind, but for now he led the limping boy toward the house. Martha the housekeeper, met them as they passed through the door, Richard shedding his warm cloak. She looked a little stunned at the sight of the young stranger.
     'Lord, may I be of assistance?'. She looked from Richard to the lad who seemed to be limping badly and frowned.
     'Indeed you can Martha. There's been an accident outside the gates and the boy took quite a tumble. His horse ended up on top of him, trapping his leg in the snow.'
     'Oh! Dear God!' she exclaimed, looking worryingly at the boy before her.  'You might have been very seriously hurt, or even worse!  But what...?'
     'Later Martha.' Richard's apparent mood remained tolerant, but he needed some time for his wife and estate duties. He hoped with her various skills, Martha would take the matter in hand and deal with it accordingly. There was more to this perhaps and although he felt sorry for the boy, needed to find Katherine.
     'What's your name lad?' Martha ushered him into the kitchen where it was warmer, indicating for him to sit.
     'Dafydd. But my mother called me David. She...I prefer Dafydd.' The lad looked down, his hands clenched tightly, a look of utter sadness as the colour drained from his young face. Martha could see him fighting back tears.
     'Oh!' she said again. 'Perhaps you could tell me about her. Are you Welsh?' She handed him a fresh warm loaf and a little honey to go with it. The boy was hesitant at first, but obviously hadn't eaten for some time. The cold outside had made him hungry. He accepted the food gratefully. The low pewter sky outside threatened more snow. 
     'Yes mistress. My mother...she..., she died during the night and has been ill for a while. My father died some time ago at the battle of Evesham. This morning I didn't know what...' The lad paused as a tear escaped. I haven't any brothers or sisters and didn't know what...what to do. I saddled our horse and just rode. He paused again. 'Perhaps I did very wrong mistress, but you see...'
     Martha shook her head in amazement, taking an instant liking to the boy as he seemed to have reasonable manners. Under the circumstances, she was realizing the difficult situation the boy had put himself in, feeling his anguish. She offered an oat cake and some ale which he gladly accepted. 'It may be best if you stay here for the time being and I'll speak with my lord.'
     'Thank you mistress.' His quiet manner was becoming apparent, eyes lowered, not wishing to face her. 'But hadn't I better return home mistress...?' He hesitated, eyes fixed on his shoes, still covered with snow. Home was a very humble place he had shared with his mother. 'I should see to Haf. He may have been hurt when he fell heavily.' He rose to face the door.
     'Haf?' Martha was a little confused for the moment.
     'Yes mistress. It's the Welsh word for summer. That's when we got him many years ago and my father always called him that until he was killed at Evesham. He was a strong supporter of Simon de Montfort.' He glanced up noticing some writing on a banner. 'I well know what that means mistress,' he said, brightening up slightly.
     'You know your letters then?' Martha was amazed.
     'Yes mistress. My mother had been taught hers and thought it would benefit me if I knew mine as well as I grew up.'
     'Well I never..!'
     Martha noticed how tall the lad was, a lock of dark hair falling over his brown intelligent-looking eyes. 'I'm sure Edmund our groom would be looking after Haf with the help of Hugh. He is very good with animals is young Hugh.' She smiled at the lad. 'Now don't you go worrying yourself.'
     The Christmas season was upon them and gradually Richard settled back into some form of routine. He had conveyed to Katherine the new agreement the King had unexpectedly drawn up, imposing harsh conditions upon them. She considered this an outrage, but there was not a lot he could do about it under the circumstances. He had no choice but to conform to what had been set out, or forfeit his valued lands and more. It was all too obvious that the King's agreement was not only unfair, but unreasonable.  
     Katherine was shocked at the terms of it, but didn't want to make matters worse for her husband and accepted the situation in her own passive manner.
     Martha had met with Richard to discuss the situation they were now faced with, thinking it unfair to return Dafydd to a home without parents, or kin anywhere in close proximity. Richard duly agreed and sent someone to where the lad had lived until the death of his mother. For now the boy would stay with them and as the Christmas season got underway, Dafydd proved a likable young man to have around. He fitted in well and was becoming a useful addition to the staff and slowly he and Hugh became inseparable friends. Dafydd taugh Hugh his letters, while Hugh passed on his knowledge of horses. They were seen frequently practicing their sword fighting and learning other skills that could be of use to Richard.
     The Christmas festivities came and went, celebrated in the usual tradition within the household.
     Katherine's body was slowly filling out with the advent of the birth of their first child. She remained well, much to Richard's relief and busied herself with her duties in helping run the manor house and estate. It pleased him to see her so radiantly happy. His wound slowly healed and he showed no ill affect from it.
         

    
    
    

Friday 4 July 2014

Under the Red Umbrella

     Cars streamed slowly into the carpark in dribs and drabs, rain starting to fall on the scene facing the grimacing occupants, by now wondering if all may be lost. This hardy group of varying age Camera Club members, wouldn't give in that easily by steadily falling rain, or even the cold for that matter.  
     Shooting in rain is not necessarily conducive to concentrating on photography while jostling coats, hats, cameras, tripods, monopods, at the same time as holding an umbrella. With one finger on the shutter, trying to hold the camera in place long enough to focus the lens, was not easy. Juggling the umbrella placed within the crook of an arm, not wanting to remain there for long enough to press the shutter button, without the camera first changing positions - thus the umbrella upended and the camera ended up sideways, while rain dripped slowly onto the new lens! But as a keen photographer, intrepid plans of battle were drawn up, soon to be put into practice. Determination was of serious necessity in these conditions.
     Good subject matter was thrown aside like straws in the wind - holding the camera still long enough, after setting the correct exposure, took all the willpower one may possess. I gave up any macro photography with flowers - standing back to admire the prettiest ornamental cabbages I've ever seen.  Raindrops had nestled in amongst the scalloped leaves of pinks, mauves and greens. Nearby was a very healthy looking herb bed. That caught my attention.
     Giggles, cursing and groans wafted out from flower beds, lakeside walks and from under umbrellas, particularly a red one - that was mine! The will not to give up, as raindrops continued to appear on new camera lens and hastily wiped off before quickly re-appearing, I was not to be daunted. The red umbrella woefully inadequate, too small and twisting constantly over my shoulder, persistent rain, with puddles underfoot, did not let up for a moment, but this amateur photographer was also persistent, not about to give up. Juggling a camera with heavy lens, was no easy task. It kept disappearing beneath an oversized coat, woefully wet by now. A mental note was made to spray it with fabric protector for the next time. What next time? A small broken, red umbrella, baseball cap forever falling over my eyes, can be hazardous, the two at odds with each other. The red umbrella won the battle, knocking aforementioned cap off its perch more than once and the decision to pocket said cap, was quickly achieved. 
     Along a rain-soaked path, where reflections fell among a few intrepid members paddling through puddles, an interesting flowerbed presented itself. There weren't any flowers, except ornamental pink and green frilly-tipped cabbages, with a good sprinkling of herbs around them. Time to investigate further. Sage, rosemary and thyme, interspersed with chives and parsley, were duly nibbled and tasted. A handful of chives was snipped off with thumb and forefinger, expertly executed and placed for future 'reference' in a rain-soaked coat pocket. To my mind, they were there for the delectation of all, providing very small amounts were sampled and consumed, otherwise, why were they planted in the first place? Well, chives do grow better when picked frequently, so my philosophical brain believed. My own chives had not done nearly as well as these beauties.
     Frozen fingers, a paper towel already soaked, the shoot was not about to improve! Other Camera Club members seemed to be experiencing similar troubles, but a hardy lot we were! No one but me, battled with an undersized umbrella. With common sense eventually prevailing, many headed back to the carpark.
     Upon returning to 'headquarters', a comforting mound of warm, homemade scones, together with huge bowls of raspberry jam and whipped cream were greeted with delight and gratitude, as members munched their way through the lot! Not a single one was left, the remainder of the day and Bootcamp weekend coming to an end with the annual dinner at night, held in a large restaurant.
     The organizers had achieved their goals in what had been a well planned and well executed photographic weekend. Much new information had been gleaned and stored in the minds of many- new friends made - camaraderie amongst members thoroughly enjoyed, the rain slipping into the background, becoming a distant memory. 
     The day before was also packed with not only several talks on all things photographic, but a visit to the National Steam Centre with cameras in tow. An enormous variety both indoor and out of Melbourne's Steam Traction Engine Club having many exhibits from working engines dating from 1890's to steam tug engines, steam rollers and even an early de Havilland Engine Co. Goblin Mk 35 Centrifugal flow turbojet engine. The first jet engine to enter squadron service with the RAAF. This proved a very different and interesting place for photographic challenges and subjects. A place I could have spent several hours and forgot time completely. I was last to leave.
     And the red umbrella? It was cast into the bin upon return home, a promise made to replace it with a much larger one for the future.